花丝工艺的丝路传播路径考辨OA

The article begins with an introduction to the characteristics of filigree craftsmanship,explores the scope of this craft,and highlights that,as an important component of cultural heritage,it plays a significant role in cultural dissemination.It challenges the Chinese cultural heritage perspective that filigree was invented in the Han Dynasty.This study critically examines why the prevailing view in China is flawed.It might be that there is no such thing as filigree work before the Han Dynasty in central China,so the opinions of some Chinese researchers presented that Chinese people created filigree in the Han Dynasty.For example,according to archaeological findings,the filigree technique was found at a tomb at Kalathiana,and this object was dated to 1900-1800 B.C. Based on the dating of filigree products,it was determined that the emergence of filigree craftsmanship in the Han Dynasty was not coincidental,and it was argued that this craft was introduced via both the overland and maritime routes of the Silk Road.Meanwhile,the seven-great maritime expeditions led by Zheng He involved much trade with the countries he visited.Also,the trade included the exchange of gold and silver crafts.The researcher believes that the filigree technique was introduced into China through trade,developed in China and was integrated with Chinese decorative elements to become a metal craft with Chinese characteristics.With the development of world trade in the later period,Chinese filigree handicrafts were introduced into Malaysia,Peru,Mexico,Europe,and other countries and regions as commodities through trade routes and had a certain influence on their local filigree craft decoration technique. As discussed in Part Three,the production of filigree items persists globally,with China being the primary focus of this research.However,accompanied by over 2 000 years of development and evolution in China,it has become a skill-based cultural heritage with Chinese characteristics,possessing the cultural attributes unique to its place of origin in the process of cultural dissemination.Meanwhile,this article corrects some scholars'incorrect views on the origin of filigree craftsmanship and opens new ideas and methods for the study of its historical origins.Nevertheless,some books are not translated into Chinese or English,so the findings are not entirely proportional to those present in the whole body of research on this topic.While the research questions have been answered,the evidence could have been enriched by drawing on more data from different regions and in multiple languages.This consequently establishes the historical and conceptual groundwork for showcasing novel applications in filigree craftsmanship.