符号美学视角下楚漆器纹样设计研究OA

Traditional cultural symbols used in the design,often encounter a problem:form and meaning are separate,do not match.In order to solve this problem,the author focuses on the patterns of Chu lacquerware,trying to figure out its aesthetic value and cultural genes,and then tries to transform the theoretical results into practical design.The author combines Susan Lange's symbolic aesthetics and cultural gene theory,and tries to build an analytical framework-starting from the form of patterns,step by step to dig out its value.With this framework,the author went to see how the Chu lacquer pattern is composed,and tried to explain the cultural concepts and aesthetic values behind it.Finally,through the appropriate design carrier,the author turned the research results into a practical design.In this way,the cultural significance of Chu lacquerware patterns has a new design expression that looks modern.The author believes that the aesthetic value and cultural genes of these patterns are still important today.The research methods used in this paper may also provide some reference for the revival and inheritance of traditional culture.