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当代文化产业审美化发展的美学逻辑与实践路径OACHSSCD

The Aesthetic Logic and Practical Pathways of the Aestheticization of Contemporary Cultural Industries

中文摘要英文摘要

从美学史来看,美学对文化产业发展的研究自审美批判开始,与艺术生产命题相关联的精英美学观念长期占据主流,影响美学界对现代文化产业审美要素和美学功能的认知,对文化产业审美化也抱有警惕和怀疑.随着社会文化变迁以及文化消费需求提升,文化产业朝审美化方向发展成为一种趋势,这需要美学的深入阐释与审美引导,美学也可依托文化产业的实践成果推动理论发展.美学研究应以主动接触、积极介入的姿态体现自身价值,促进文化产业美学品质的提升,助力文化产业审美化发展.

This study examines the development of cultural industries through the lens of aesthetic history,noting that aesthetic inquiries in this area initially originated from aesthetic critique.For an extended period,dominant elite-oriented aesthetic conceptions linked to theories of artistic production have shaped scholars' understandings of the aesthetic elements and functions inherent in modern cultural industries,often resulting in caution and skepticism regarding their aestheticization.However,in light of broader sociocultural transformations and an increasing demand for cultural consumption,the trend toward the aestheticization of cultural industries has emerged.This evolution necessitates comprehensive aesthetic interpretation and guidance,while the concrete achievements of cultural industries can simultaneously inform and enrich aesthetic theory.Aesthetic research must assert its value through proactive engagement and active intervention in cultural practice,thereby enhancing the aesthetic quality of cultural industries and facilitating their aestheticization.

黄仲山

北京市社会科学院文化研究所

社会科学

文化产业审美化艺术生产美学逻辑

cultural industriesaestheticizationartistic productionaesthetic logic

《常州大学学报(社会科学版)》 2026 (5)

87-97,11

国家社会科学基金重大专项"新时代中国特色社会主义文化的基本内涵、发展方向和创新实践研究"(26ZDA072).

10.3969/j.issn.2095-042X.2026.05.009

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