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形象思维论争与文学审美特性的合法性建构OACHSSCD

The Image Thinking Debate and the Legitimacy Construction of Literary Aesthetic Particularity:A Critical Discourse Analysis of the Literary Theory Column in Literary Review(1978-1980)

中文摘要英文摘要

形象思维论争是中国当代文学理论实现历史性转型的一次重要实践.1978-1980年间,《文学评论》围绕"形象思维"就文学审美特性展开了集中的理论探讨.从批评话语分析的文本、话语实践与社会实践维度上看,该论争为文学审美特性正名,深化了形象思维的理论内涵;在话语层面,期刊的议程设置既实现了批评观念的更新,也有效推动了学术进程;在特定历史语境中,形象思维论争还促进了文学审美与现实关系的重新调整.这场集中而高效的论争也为当下构建中国自主文学理论体系、重申文学的本体价值提供了可资借鉴的实践智慧.

The debate on"image thinking"in Literary Review from 1978 to 1980 was a pivotal discursive practice in constructing the aesthetic characteristics of literature.From the dimensions of text,discursive practice,and social practice encompassed by critical discourse analysis,the critics effectively legitimized,theorized,and institutionalized the"aesthetic characteristics"of literature through this debate.This concentrated and efficient discursive mobilization demonstrated the discursive experience and practical wisdom of aesthetic autonomy,while also providing an important historical reference for the current construction of an independent Chinese literary theory system and the reaffirmation of literature's ontological value.

杨陈媛

中南民族大学文学与新闻传播学院

形象思维审美特性《文学评论》批评话语分析

image thinkingaesthetic specificityLiterary Reviewcritical discourse analysis

《西南交通大学学报(社会科学版)》 2026 (4)

132-148,17

湖北省教育厅人文社科重点项目"21世纪以来中国马克思主义文学批评话语模式的新变"(ZSD17001)

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