姚鼐诗学之法度与宗杜诗学论OACHSSCD
Yao Nai's Poetic Principles and His Du Fu-Oriented Poetics
姚鼐论诗重"无度而有度",把握法度是自铸伟词之关键进路.他不仅取法杜甫排律诗脉连贯、顿挫纵横之布局章法,对黄庭坚去俗观韵、翻新陈语的革新技巧也颇为推崇,又对王士禛神韵诗法之阴柔审美风貌亦有所取.其所编《今体诗钞》时常解析杜甫排律并列为上佳之作,所取黄庭坚翻新法之本质合于杜甫儒家诗教立场,去取王士禛神韵诗法之时以雄伟劲直的杜甫排律为典范,这些均体现出其浓重的宗杜倾向.姚鼐诗学之法度与宗杜诗学,厘清了杜甫排律在宋元明清的接受历程,更沾溉了重气韵与论法度的桐城后学,为晚近宋诗派及同光体奠定了基调.
Yao Nai emphasized the principle of"freedom within form"in poetry,arguing that an understanding of poetic principles consti-tutes the key to creating distinctive poetic expressions.He not only learned Du Fu's coherent and varied layout of regulated poetry,but also high-ly praised Huang Tingjian's innovative techniques of removing vulgar rhymes and rewriting old language.He also took inspiration from Wang Shizhen's subtle aesthetic style in his poetic style.These laws all reflect a strong tendency towards Confucianism and Du Fu.In his Anthology of Modern-Style Poetry,Yao Nai frequently analyzed Du Fu's regulated verse and selected many of them as exemplary works.He valued Huang Tingjian's innovations because their essence corresponded with Du Fu's Confucian poetic tradition,while he measured Wang Shizhen's poetic theory against the majestic and vigorous style represented by Du Fu's regulated verse.Yao Nai's poetic principles and Du Fu-oriented poetics clarify the reception history of Du Fu's regulated verse from the Song to the Qing dynasties.They also exerted a lasting influence on later Tongcheng scholars who emphasized both poetic vitality and artistic principles,laying the groundwork for the later Song-style poetry movement and the Tongguang School.
孟毅苗
首都师范大学 文学院,北京 100048
社会科学
姚鼐法度杜甫黄庭坚王士禛
Yao Nailegalitypoetic principlesHuang TingjianWang Shizhen
《安庆师范大学学报(社会科学版)》 2026 (4)
2-7,6
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