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中国微短剧"出海"的解域化与再域化OACHSSCD

Deterritorialization and Reterritorialization in the Global Dissemination of Chinese Micro-Dramas

中文摘要英文摘要

中国微短剧作为新兴数字文化形态,凭借简捷内容、紧凑叙事、普适情感等特征正快速进入国际视野.微短剧"出海"是解域化与再域化的交织:一方面,通过内容脱离本土语境、平台技术的跨域支持以及资本的全球化流动,微短剧实现了"解域化";另一方面,为适应异质文化市场,微短剧通过语言与场景的本地化、叙事与价值观的重构、用户的再解码等环节完成"再域化".微短剧的"出海"不仅是文化输出实践,更是全球传播逻辑与本土文化特性之间持续博弈与互动的过程,折射出当代中国数字文化在全球化语境中不断调整与适应的传播逻辑.

Chinese micro-dramas,as an emerging form of digital culture,are rapidly gaining international attention due to their concise content,tight narratives,and universal emotions.The"global dissemination"of micro-dramas reflects a dynamic interplay of deterritorialization and reterritorialization.On the one hand,micro-dramas achieve deterritorialization through content detachment from native cultural context,cross-border support of platform technologies,and the global flow of capital.On the other hand,to adapt to heterogeneous cultural markets,they achieve reterritorialization through localized language and settings,reconstructed narratives and values,and re-interpretation by local audiences.The global dissemination of Chinese micro-dramas is not merely a practice of cultural export but a continuous game and interaction be-tween global communication logic and local cultural characteristics,reflecting the communication logic of contemporary Chinese digital culture constantly adjusting and adapting in the context of globalization.

王桂亭

华侨大学海峡两岸传播创新研究中心||华侨大学新闻与传播学院 福建 厦门 362021

社会科学

微短剧海外传播解域化再域化

micro-dramaglobal disseminationdeterritorializationreterritorialization

《华侨大学学报(哲学社会科学版)》 2026 (4)

134-145,12

福建省社会科学基金重点项目"中国出版走出去过程中国家形象的传播效能提升研究"(FJ2024MGCA051)

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