身体知觉视角下苏绣数字化展示的审美异化与体验设计OA

The digital dissemination of Suzhou embroidery is transcending temporal and spatial constraints,bringing viewers'aesthetic perspectives into new experiential contexts.Based on Merleau-Ponty's theory of bodily perception,this study critically addresses the loss and devaluation of the sensuous dimension of individuals in the process of rapid modernization.Through an in-depth analysis of digitalized Suzhou embroidery cases,it examines phenomena such as homogenized experience and distorted aesthetic appreciation,revealing forms of aesthetic alienation arising from the dual nature of digitalization.The study provides theoretical references and practical insights for optimizing contemporary strategies for the digital preservation of intangible cultural heritage.