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情感政治、重构"地方"与人民文艺的时代演进OACHSSCD

Emotional Politics,Reconstruction of"Place"and People's Literature in the Era of Expansion—Centered on the Cross-Media Adaptations of Tracks in the Snowy Forest and the Sea of Forests since the New Era

中文摘要英文摘要

曲波的小说《林海雪原》自新时期以来,进一步被跨媒介改编为电视剧、动画片、评书、广播剧、电影小说、电子游戏等文艺形式.小说情感结构中的政治意指,以及东北地域的风土人情得以重新发现,在不同改编本中作为主流被重述.改编作品中的人物形象、类型元素与叙事结构的新变,契合了"后革命时代"革命文化重焕生机的趋势和需要.同时,随着视听媒介迭代、网络媒介成熟,小说中"智取威虎山"等传奇故事逐渐去传奇化,凸显人民性与现实感,随着中国当代文学跨媒介改编与传播,这些故事不断彰显并对接"新大众文艺"创作浪潮下的全民性与多媒介互动性.

Since the new era,Qu Bo's novel Tracks in the Snowy Forest has been further adapted into various media forms such as TV series,animated films,storytelling,radio dramas,film novels,and video games.The political connotations in the emotional structure of the novel,as well as the local customs and culture of Northeast China,have been rediscovered and re-presented as the mainstream in different adaptations.The new chan-ges in character images,type elements,and narrative structures in the adapted works align with the trend and needs of the"post-revolutionary era"where revolutionary culture regains vitality.At the same time,with the iteration of audio-visual media and the maturity of online media,the legendary stories such as Tracks in the Snowy Forest in the novel have gradually been de-legendized,highlighting people-orientedness and reality,and with the cross-media adaptations and dissemination of contemporary Chinese literature,it highlights and connects with the"new mass literature"creative wave's popularity and multi-media interactivity among the general public.

孙可欣

河南大学 文学院,河南 开封 475000

社会科学

《林海雪原》跨媒介情感政治人民文艺

Tracks in the Snowy Forestcross-mediaemotional politicspeople's literature

《牡丹江师范学院学报(哲学社会科学版)》 2026 (4)

8-17,10

国家社会科学基金重大项目"中国当代文学跨媒介传播史(1949-2009)"(20&ZD286)

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