古典的回响:穆旦晚期诗学中的古典内化与精神复调OA
Echoes of the Classical:Internalization of Classical Elements and Spiri-tual Polyphony in Mu Dan's Late Poetics
长期以来,穆旦研究偏重其与西方文学的关系,而对其与中国古典文学传统的联系关注不足.在特殊历史语境中,穆旦对杜甫和陶渊明的诗歌以及诗学精神的体悟,对古典意象、古典哲学中"化"的融汇运用,以及对"静穆"境界与"人情味"的书写,构成了其晚期诗学的古典维度.这一内化过程不仅体现于其书信中的精神交流与诗学反思,更在其晚期诗歌写作中转化为古典意象的现代重构、抒情方式的节制与深化,以及生命哲学的东方回归.穆旦晚期创作并非简单地回归传统,而是在现代经验与古典精神的对话中,实现了对汉语本位的重新确认与美学再造,呈现出别有意味的古典精神.
Studies on Mu Dan have long focused on his relationship with western literature,while insufficient attention has been paid to his ties with classical Chinese literary tradition.In the special historical context,Mu Dan's comprehension of the poems and the poetic spirit of Du Fu and Tao Yuanming,his integration and applica-tion of classical imagery and the concept of"transformation"in traditional Chinese philosophy,as well as his por-trayal of the serene aesthetic realm and human warmth,jointly constitute the classical dimension of his late poetics.This internalization process is not only embodied in the spiritual exchange and poetic reflection in his letters,but also transformed into the modern reconstruction of classical images,the restraint and deepening of lyric methods and the return to Eastern philosophy of life in his late poetic writing.Mu Dan's late literary creation is not a simple return to tradition but rather a reconfirmation of the Chinese linguistic foundation and aesthetic reconstruction achieved through a dialogue between the modern experience and the classical spirit,thereby presenting a classical spirit with unique significance.
李玉辉
曲阜师范大学 文学院,山东 曲阜 273165
社会科学
穆旦杜甫陶渊明静穆人情味
Mu DanDu FuTao Yuanmingsolemn serenityhuman warmth
《海南师范大学学报(自然科学版)》 2026 (3)
71-82,12
山东省社会科学规划研究项目"臧克家年谱编纂与研究"(24CZWJ05)
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