淮楚·士族·乐舞:魏晋"清商乐舞"的审美变革OA
Huai-Chu Region·Scholar-Official Gentry·Music and Dance:The Aesthetic Transformation of"Qingshang Music and Dance"in the Wei and Jin Dynasties
为有效推动中华优秀传统文化实现"创造性转化、创新性发展",激发其传承与创新的内在动力,进而实现对传统艺术形式的现代诠释与活化,以魏晋时期的"清商乐舞"为研究主体,从"地域化"与"士族化"双重角度切入,分析"士族"阶层对"清商乐舞"审美变革的深层逻辑:门阀政治与士族特权推动其逐渐雅化与技艺求精;玄学兴起与人性觉醒赋予其情感解放与精神寄托的功能;世俗风尚与生命意识促进其创作主体转换、审美嬗变.由此,文本既揭示了地域传统、阶层趣味、艺术形态三者的关系,也阐明了这一审美转变所带来的双重影响,以及其对当下舞蹈创作所具有的启示意义.
To effectively promote the"creative transformation and innovative development"of China's outstanding traditional culture,stimulate its intrinsic impetus for inheritance and innovation,and thereby realize the modern in-terpretation and revitalization of traditional art forms,this study focuses on the Qingshang music and dance of the Wei and Jin Dynasties.It approaches the subject from the dual perspectives of regionalization and gentrification,analyzing the underlying logic of the aesthetic transformation of Qingshang music and dance driven by the scholar-official gentry:the aristocratic politics and privileges of the gentry facilitated its gradual refinement and pursuit of technical excellence;the emergence of metaphysics and the awakening of human consciousness endowed it with the function of emotional liberation and spiritual solace;secular trends and life consciousness contributed to shifts in its creative agency and aesthetic evolution.Hence,the study not only reveals the relationships between regional tradi-tions,class tastes,and artistic forms but also elucidates the dual impact of this aesthetic shift and its enlightening significance for contemporary dance creation.
姚梓靖
安徽艺术学院舞蹈学院,安徽 合肥,230011
社会科学
淮楚地区士族清商乐舞魏晋时期审美变革
Huai-Chu regionscholar-official gentryqingshang music and danceWei and Jin periodaesthetic transformation
《宿州学院学报》 2026 (4)
79-84,6
安徽艺术学院科研项目(2025XJKY0007).
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