视觉语法理论视角下《木兰辞》双语绘本的图文关系研究OA
A Study on the Picture-Text Relations in The Ballad of Mulan Bilingual Picture Book from the Perspective of Visual Grammar Theory
基于视觉语法理论与Martinec&Salway的图文关系体系,对张松楠The Ballad of Mulan(《木兰辞》)双语绘本的图文互动机制展开研究.分析表明,绘本通过差异化配置图像主导与图文平等的关系,分别实现历史文化语境构建和情感细节传递;借助扩展、投射及复合功能,有效补充文化负载词的视觉信息、转译抽象情感隐喻并融合史实与精神内涵;结合中英分栏布局与图像隐喻策略,平衡了文化忠实性与读者接受度.研究证实,双语绘本的图文协同是多模态符号的认知协商过程,其机制为中国典籍多模态外宣提供方法论参考,也为跨文化叙事平衡"文化忠实"与"读者友好"提供实践路径.
Objective:Based on visual grammar theory and Martinec&Salway's image-text relational framework,this study ex-amines the picture-text interaction mechanisms in Zhang Songnan's bilingual picture book The Ballad of Mulan.The analysis re-veals that the picture book employs differentiated configurations of image dominance and image-text equality to construct histori-cal-cultural contexts and convey emotional nuances,respectively.Through functions such as extension,projection,and their combi-nation,it effectively supplements visual information for culture-specific terms,translates abstract emotional metaphors,and inte-grates historical facts with spiritual connotations.By combining parallel Chinese-English layout and visual metaphor strategies,the work balances cultural authenticity and reader accessibility.This study confirms that the picture-text synergy in bilingual picture books constitutes a cognitive negotiation process of multimodal signs.Its mechanism offers methodological insights for the multi-modal international communication of Chinese classics and provides a practical pathway for balancing"cultural fidelity"and"read-er-friendliness"in cross-cultural narratives.
张旭姝;段胜峰
长沙理工大学 外国语学院,湖南 长沙 410000长沙理工大学 外国语学院,湖南 长沙 410000
社会科学
视觉语法图文关系多模态分析双语绘本跨文化传播
Visual grammarPicture-text relationsMultimodal analysisBilingual picture bookCross-cultural communication
《荆楚理工学院学报》 2026 (3)
68-76,9
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