《惊蛰无声》:悬念重构、人性深度与当代谍战的视觉隐喻OACHSSCD
Scare Out:Reconstruction of Suspense,Humanity Depth and Cinematic Expression in Contemporary Spy Movies
2026年春节档上映的《惊蛰无声》,是张艺谋首次将镜头对准当代国家安全战场的尝试.作为一部谍战片,影片在继承传统类型范式的基础上,实现了悬念机制、人物塑造和视觉表达的协同创新.在悬念建构层面,影片通过明暗交织的双线叙事结构,将传统谍战片依赖情节反转的外在悬念转化为聚焦于人物内心挣扎的心理悬念;在人物塑造层面,影片着力刻画黄凯这一临界人物的状态变化,展现他在被策反过程中呈现的复杂心理;在视觉表达层面,影片以无人机视角、监控镜头和跟拍手法构建起技术时代的被窥视感,形成兼具时代性与象征意味的隐喻美学.尽管影片在次要人物塑造上存在功能化倾向,但仍为当代国安题材电影的创作提供了新的叙事范式和美学经验.
Scare Out,released in the 2026 Spring Festival film season,is Zhang Yimou's first attempt to focus on the contemporary national security battlefield.As a spy movie,it achieves collaborative innova-tions in suspense mechanisms,character portrayal and visual expression on the basis of inheriting the tradi-tional genre paradigm.In terms of suspense construction,through an interwoven dual narrative structure of overt and covert narrative threads,the film transforms the external suspense of traditional spy films,which relies on plot reversals,into psychological suspense centered on characters'inner conflicts.In character building,the film focuses on depicting the indeterminate state of Huang Kai,a liminal figure,and presents the complex psychological process he undergoes in the course of being coerced into betrayal.In visual expres-sion,the film constructs a sense of being surveilled in the technological era via drone shots,surveillance foot-age and follow-shot techniques,forming a metaphorical aesthetics with temporal and symbolic implications.Despite the functional portrayal of secondary characters,it still provides a new narrative paradigm and aes-thetic experience for the creation of contemporary national security-themed spy movies.
周星;吴英华
北京师范大学 艺术与传媒学院,北京 100875北京师范大学 艺术与传媒学院,北京 100875
社会科学
张艺谋谍战片心理性悬念临界人物视觉隐喻
Zhang Yimouspy moviepsychological suspenseliminal charactervisual metaphor
《中北大学学报(社会科学版)》 2026 (4)
7-13,7
教育部哲学社会科学研究后期资助重大项目:建党百年中国共产党价值观与中国电影发展路径研究(21JHQ005)
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