几何形态与敦煌飞天的融合探索与创新设计OA
The Integration of Geometry with the Flying Celestial Beings of Dunhuang and the Innovative Design
本文以上述几何形态和敦煌飞天的融合实践为视角,尝试从传统中国艺术瑰宝敦煌飞天的艺术与设计特征出发,与现代设计语言——几何形态展开融合理论与实践的探索.敦煌飞天的形制、神韵、色彩与气度都蕴含着中国古代审美的精华,是中国传统文化的经典语言;几何形态是当下平面视觉艺术形式研究与设计表达的关键设计元素,其简洁、秩序、理性的图形特征对当代艺术语言形态产生了广泛而深刻的影响.笔者通过对经典敦煌飞天壁画进行几何形态重构等实验探索,基于此展开插画疗愈设计探索实验,得到几何化重构传统飞天的结论.期望借助本文的研究过程与成果,为融合视觉化研究提供新的视角,为传统艺术元素的现代转型、跨文化传播、促进传统文化语境下的文化价值重构等研究提供可行性思考及设计实践例证.
This study explores the fusion of geometric forms and Dunhuang Flying Apsaras by integrating traditional Chinese art with modern design language.The Flying Apsaras embody the essence of classical Chinese aesthetics through their form,spirit,and color,while geometric forms—defined by simplicity,order,and rationality—are key elements of contemporary visual design.Through geometric reconstruction of classical Dunhuang murals and related illustration-based art therapy experiments,the research demonstrates the feasibility of reinterpreting traditional Flying Apsaras in a geometric visual language.The study aims to offer new perspectives and practical references for the modern transformation,visual reinterpretation,and cross-cultural communication of traditional art.
李玥;张雅淇
苏州大学,江苏 苏州 215123苏州大学,江苏 苏州 215123
通用工业技术
几何形态敦煌飞天平面艺术视觉融合文化再造
geometric formdunhuang flying apsarasplane artvisual fusioncultural reconstruction
《鞋类工艺与设计》 2026 (10)
14-17,4
评论