首页|期刊导航|鞋类工艺与设计|非遗视域下南通蓝印花布纹样在文创产品中的设计创新

非遗视域下南通蓝印花布纹样在文创产品中的设计创新OA

Design Innovation of Nantong Blue Calico Patterns in Cultural and Creative Products from the Perspective of Intangible Cultural Heritage

中文摘要英文摘要

南通蓝印花布纹样是重要的非物质文化遗产视觉资源,具有较为稳定的构成方式与文化符号系统,在文创产品中的应用却存在僵化、适配性不足等问题.从设计转译角度出发,对纹样结构特点和意义进行分析,提出了"解构提取—语义重组—场景匹配—产品实现"设计方案,并从视觉重置、色彩改良、功能结合等方面提出优化策略,使传统纹样能够在不同种类文创产品上得到良好应用.研究发现,该方法提高了纹样的辨识度与市场的接受度,也更好地体现了非物质文化遗产当下价值.

The Nantong blue printed fabric patterns constitute significant visual resources of intangible cultural heritage,characterized by stable compositional structures and cultural symbolism systems.However,there are problems such as rigidity and insufficient adaptability in the application of cultural and creative products.From a design translation perspective,this study analyzes the structural features and symbolic meanings of these patterns,proposing a design methodology encompassing"deconstruction extraction—semantic reorganization—scenario matching—product implementation."Recommendations are provided for visual redesign,color optimization,and functional integration to facilitate effective adaptation of traditional patterns across diverse cultural products.Research findings demonstrate that this approach enhances pattern recognizability and market acceptance while better reflecting the contemporary value of intangible cultural heritage.

曹一萱

南通大学教师教育学院,江苏 南通 226019

社会科学

蓝印花布纹样设计转译视觉重构文创开发非遗活化

blue calico patterndesign translationvisual reconstructioncultural creative productsintangible heritage activation

《鞋类工艺与设计》 2026 (10)

2-4,3

10.3969/j.issn.2096-3793.2026-10-001

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