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中国传统民族风格动画的视觉创新与多元技术探索OA

Visual innovation and exploration of multiple techniques in Chinese traditional ethnic-style animation:A case study of the"Qi Tan Universe"works

中文摘要英文摘要

为探讨当代媒介技术与文化语境下中国传统民族风格动画的创作传承、创新和技术重构,本文以上海美术电影制片厂创作生产的、涵盖《中国奇谭》动画短片集与《浪浪山小妖怪》动画电影的"奇谭宇宙"IP系列作品为具体案例,从创作实践出发,以视觉体系、角色造型、制作技术运用等角度入手,总结中国传统民族风格动画在形式、技术与题材等多重维度上的传承与创新路径.研究表明,"奇谭宇宙"IP系列作品通过多元化的技术手段与叙事语言,实现了写意与写实、传统韵味与当代审美的有机融合,其丰富的创作实践可为中国传统民族风格动画的创新重构提供极具价值的研究样本.

To explore the creative inheritance,innovation,and technical reconstruction of traditional Chinese ethnic style animation within the contemporary media landscape and cultural context,this paper takes the"Qi Tan Universe"IP series produced by Shanghai Animation Film Studio,including the animated short film series Yao-Chinese Folktales and the ani-mated feature Nobody as specific studying cases.From the perspective of creative practice,the study analyzes the visual systems,character designs,and application of production technologies to summarize the pathways of inheritance and inno-vation across formal,technical,and thematic dimensions.The study indicates that the"Qi Tan Universe"achieves an or-ganic integration of expressionism and realistic styles,blending traditional charm with contemporary aesthetics,through di-versified technical means and narratives.Its rich creative practices provide a valuable research sample for the innovative reconstruction of traditional Chinese ethnic style animation.

李早

上海电影股份有限公司,上海 200030||上影元(上海)文化科技发展有限公司,上海 200030

社会科学

动画艺术民族风格中国动画学派奇谭宇宙

Animation ArtEthnic StyleChinese School of AnimationQi Tan Universe

《现代电影技术》 2026 (5)

19-25,7

10.3969/j.issn.1673-3215.2026.05.003

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