《闲情偶寄》与《园冶》园林思想和美学意义的比较研究OACHSSCD

During the late Ming and early Qing periods,gardens gradually evolved from techniques of construction and spaces of residence into important sites for literati aesthetic practice and the cultivation of everyday life.Through close reading and comparative analysis,this article examines the differences and interconnections between XianqingOuji and YuanYe in terms of the garden design philosophy and aesthetic significance.Researchs suggest that XianqingOuji emphasizes the pleasures of everyday garden living and subjective experience,whereas YuanYe is more concerned with the overall spatial organization of the garden and the artistic creation of scenic ambience.Despite their different approaches,both works oppose formulaic and overly contrived tendencies in garden making,reflecting the same historical context,an intellectual tendency toward the differentiation of garden aesthetics.The comparison of the two books not only helps illuminate the internal transformation of garden design philosophy in this period,but also provides a useful textual paradigm for understanding the aesthetic significance of gardens.