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泉州木偶戏文化的数字化转化与文创产品设计研究OA

Research on Digital Transformation and Cultural Creative Product Design of Quanzhou Puppet Show Culture

中文摘要英文摘要

在文创数字化战略与非遗活态化传承的双重背景下,泉州提线木偶戏正在逐渐被快时代所湮灭,探索泉州提线木偶戏的创新设计路径具有紧迫性与重要性.泉州木偶戏是深耕于闽南地区的一项国家级非物质文化遗产项目.本文通过了解泉州木偶戏的背后的故事以及当地衍生文创的发展现状,结合地域性文化视角深度挖掘泉州本土特色的非遗文化,并借助数字化转化等手段,打破传统文化的固有边界,赋予文创载体新形式,赋能数字化文创创新发展新范式.

Under the dual circumstances of the digitalization strategy of cultural heritage and the dynamic inheritance of intangible cultural heritage,Quanzhou string puppetry is gradually disappearing in the fast-paced era.Exploring the innovative design path of Quanzhou string puppetry is both urgent and important.Quanzhou puppetry is a national-level intangible cultural heritage project deeply rooted in the Minnan region.This article,by understanding the background story of Quanzhou puppetry and the current development status of local derivative cultural creations,combines the perspective of regional culture to deeply explore the local distinctive intangible cultural heritage of Quanzhou,and by means of digital transformation and other methods,breaks the inherent boundaries of traditional culture,gives new forms to cultural creation carriers,and empowers the innovative development of digital cultural creation in a new paradigm.

李信芸;郭畅;李泽昊

江西师范大学 美术学院,江西 南昌 330022江西师范大学 美术学院,江西 南昌 330022江西师范大学 经济与管理学院,江西 南昌 330022

社会科学

数字化赋能泉州提线木偶创新设计地域文化活态化传承

digital empowermentquanzhou string puppetryinnovative designregional cultureliving heritage transmission

《鞋类工艺与设计》 2026 (11)

195-197,3

10.3969/j.issn.2096-3793.2026-11-065

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