陶瓷文化元素在视觉传达设计中的转译策略研究OA
A Study on Translation Strategies for Ceramic Cultural Elements in Visual Communication Design
在当代视觉传达设计实践中,陶瓷文化作为重要的传统文化资源被频繁引入,但相关应用多集中于器型轮廓、装饰纹样等显性元素的直接使用,文化表达易流于表层,视觉呈现亦呈现出一定程度的同质化倾向.基于这一现象,笔者从视觉传达设计的视角出发,围绕陶瓷文化元素在当代设计语境中的转译问题展开讨论.通过分析陶瓷文化所具有的视觉特征与符号属性,结合视觉传达设计的传播特性,归纳出视觉符号提炼、视觉秩序重构及媒介适配这 3 种转译路径.对陶瓷文化元素进行系统化的视觉转译,有助于其在当代视觉传播中形成更具层次与延展性的表达方式,并为传统文化在视觉传达领域中的应用提供新的思路.
In contemporary visual communication design practice,ceramic culture is frequently incorporated as a vital tradi-tional cultural resource.However,its application often centers on the direct use of explicit elements such as vessel silhou-ettes and decorative patterns,leading to superficial cultural expression and a certain degree of homogenization in visual presentation.Addressing this phenomenon,this paper explores the translation of ceramic cultural elements within the con-temporary design context from a visual communication design perspective.By analyzing the visual characteristics and sym-bolic attributes inherent in ceramic culture,and integrating the communicative properties of visual communication design,three translation pathways are identified:visual symbol refinement,visual order reconstruction,and media adaptation.A systematic visual translation of ceramic cultural elements facilitates the formation of more layered and expansive expres-sions within contemporary visual communication,offering new approaches for applying traditional culture in the field of visual communication.
李曼
郑州工商学院 郑州 451400
化学化工
陶瓷文化视觉传达设计文化转译视觉语言
Ceramic cultureVisual Communication designCultural translationVisual language
《陶瓷》 2026 (5)
26-28,3
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