首页|期刊导航|辽宁工程技术大学学报(社会科学版)|规训解构与主体重构:《冰与火之歌》性别权力叙事

规训解构与主体重构:《冰与火之歌》性别权力叙事OACHSSCD

Disciplinary deconstruction and subject reconstruction:gender power narrative in A Song of Ice and Fire

中文摘要英文摘要

针对《冰与火之歌》中的性别权力叙事问题,基于福柯权力话语理论与波伏娃存在主义女性主义理论,构建了"规训机制-抵抗实践-价值重构"的三维分析框架,解析了《冰与火之歌》中维斯特洛父权社会通过身份工具化绑定、劳动性别化异化、话语垄断性剥夺等形成的规训闭环,以及丹妮莉丝、珊莎、布蕾妮等女性角色通过"策略性抵抗"实现主体生成的复杂路径.研究发现:马丁以微观权力叙事解构传统史诗的男性霸权,揭示女性主体生成不仅是个体反抗,更是对权力话语体系的系统性重构.研究结论为奇幻文学的性别研究提供新范式.

This study examines the the gender power narrative in A Song of Ice and Fire,based on Michel Foucault's discourse theory of power and Simone de Beauvoir's existential feminism,analyzing the gender power narrative in A Song of Ice and Fire.This paper constructs a three-dimensional analytical framework of"disciplinary mechanism,resistant practice,value reconstruction".It explores the disciplinary closed loop formed by the patriarchal society of Westeros in A Song of Ice and Fire,which is achieved through three core approaches:the instrumentalized binding of identity,the gendered alienation of labor,and the monopolistic deprivation of discourse.Meanwhile,this study interprets the intricate paths of subjectivity construction among female characters such as Daenerys,Sansa,and Brienne,who attains this goal through"strategic resistance".The research finds that Martin deconstructs the male hegemony inherent in traditional epics via micro-power narratives,revealing that the construction of female subjectivity is not merely an act of individual resistance,but a systematic reconstruction of the power discourse system.This conclusion offers a new paradigm for gender studies in fantasy literature.

杨艳

辽宁工程技术大学 外国语学院,辽宁 阜新 123000

社会科学

《冰与火之歌》权力规训女性主体话语重构微观叙事

A Song of Ice and Firepower disciplinefemale subjectdiscourse reconstructionmicro-narration

《辽宁工程技术大学学报(社会科学版)》 2026 (3)

230-234,5

阜新市社会科学立项课题(2025Fsllx211)

10.11955/j.issn.1008-391X.20250257

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