首页|期刊导航|工程研究——跨学科视野中的工程|书法在地铁标识系统中的应用研究——以西安地铁14号线为例

书法在地铁标识系统中的应用研究——以西安地铁14号线为例OA

Research on the Application of Calligraphy in the Signage System of Xi'an Metro Line 14

中文摘要英文摘要

由于传统书法在地铁标识系统中的应用长期面临着文化表达与实用功能失衡、地域文脉适配不足、简体化改造失韵等问题,且现有研究缺乏对传统书法二次创作的系统性方法论.本研究以地域性文化符号为指导,通过探索地铁标识系统中书法字体设计的发展现状和西安地铁站名的字体设计,聚焦书法作为艺术在地铁标识系统中的多重功能.并以西安地铁14号线字体设计为实践依据,针对上述问题,探索书法元素与地铁标识系统结合所产生的新表现形式,通过"借鉴优化""拆分重组""多元参考"等设计方法,解决传统书法字体设计的简体化改造、场景化适配、多字体协调等实际痛点.最终,构建传统书法艺术在当代地铁标识系统字体设计中可操作的路径与方法,为其他城市的地铁标识设计提供了具有普适性的理论参考和实践指导.

This study investigates the innovative application of Chinese calligraphy within the signage system of Xi'an Metro Line 14.Unlike conventional metro typography,Line 14 employs distinct calligraphic font strategies that correspond to the cultural and historical contexts of its respective sections,thereby transforming its signage into a dynamic carrier of regional identity and cultural narrative. The research proposes and elaborates on a three-phase methodological framework—exploration,transition,and development—to systematically integrate traditional calligraphy into modern public wayfinding systems.This framework addresses the core challenge of balancing aesthetic cultural expression with functional legibility,a persistent issue in environmental graphic design.The research employed a practice-based methodology,centered on the font design case of Xi'an Metro Line 14.It critically analyzed the current state of calligraphic font application in metro signage.To solve the identified practical pain points—simplification,contextual adaptation,and multi-font coordination—a three-phase design method was developed and implemented:① Reference&Optimization:Drawing upon the mature style of master calligraphers like Yan Zhenqing to establish a foundational aesthetic and cultural tone.② Deconstruction&Recombination:Breaking down calligraphic structures and recomposing them to meet standardized requirements and enhance legibility.③ Multi-reference&Coordination:Ensuring visual harmony within the entire font family and adapting the design to various physical signage scenarios. The application of this methodological framework to Xi'an Metro Line 14 successfully resolved key technical issues.It produced a calligraphic font set that maintains the artistic charm and cultural gravitas of traditional calligraphy while fulfilling all modern functional requirements for public signage.The case demonstrated a viable pathway for integrating profound historical cultural symbols into contemporary engineering and design projects.The resulting font system not only improves wayfinding efficiency but also actively shapes a unique cultural ambiance,reinforcing the city's identity. This study constructs a generalized,operable design path and methodology for integrating traditional calligraphic art into contemporary metro wayfinding systems.The proposed"reference-optimization,deconstruction-recombination,multi-reference coordination"framework offers a systematic solution that transcends individual case studies.It provides both theoretical reference and practical guidance for other cities seeking to incorporate local cultural heritage into their public transportation infrastructure.The research highlights the significant academic and practical value of bridging cultural studies,design innovation,and engineering applications,contributing to the creation of more humane and culturally resonant urban spaces.

孙晨芙;郭姜威;葛复昌

中山大学 哲学系,广州 510275西安建筑科技大学 艺术学院,西安 710055上海师范大学 美术学院,上海 200234

社会科学

西安地铁字体设计颜真卿书法

Xi'an Metrofont designYAN Zhenqingcalligraphy

《工程研究——跨学科视野中的工程》 2026 (3)

250-264,15

国家留学基金委艺术类人才培养特别项目:丝路传播艺术人才国际合作培养项目(YSRC2310112398)2025年度陕西省社会科学基金年度项目:陕西地区乡村公共空间的艺术融合机制与文化共建路径研究(2025J004)

10.3724/j.issn.1674-4969.20250102

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