清代百苗图中的女性角色张力与社会文化内涵OA
Power Shaping and Ethnic Imagination:The Role Tension and Socio-Cultural Implications of Female Figures in the Qing Dynasty's The Hundred Miao Pictures
论文以贵州省博物馆藏《黔苗图说》为核心文本,结合多册海外馆藏各种百苗图抄绘本,系统梳理清代黔省地区各民族女性的社会角色,揭示其背后蕴含的社会文化价值和权力话语逻辑.扮演政治代理人的女性,以服饰精致化凸显政治位阶的区隔功能,成为清王朝"因俗治俗"的视觉载体;从事经济生产活动的女性,以多元生产劳动解构父权制统治下男耕女织的性别分工定势,并与父权秩序下的家族规训形成张力博弈;女性扮演不同角色时生成的文化符号,既强调身份区隔,亦共同构成黔省地区多姿多彩的民族画卷.
Taking the Qing Miao Tu Shuo(An Illustrated Account of the Miao)in the collection of the Guizhou Provincial Museum as the core text,and incorporating multiple overseas collections of illustrated manuscripts of the Hundred Miao Albums,this study systematically examines the social roles of women from various ethnic groups in the Guizhou region during the Qing dynasty.The aim is to reveal the under-lying socio-cultural values and the logic of power discourse.Women acting as political agents used the re-finement of their attire to highlight the distinguishing function of political hierarchy,serving as a visual embodiment of the Qing dynasty's principle of "governing according to native customs".Women engaged in economic production activities deconstructed the gender-based division of labor—"men plow,women weave"—prescribed by patriarchal rule through their diverse forms of production,forming a dynamic ten-sion with familial discipline under the patriarchal order.The cultural symbols generated by women in their various roles not only emphasized inter-ethnic distinctions but also collectively contributed to the rich and colorful ethnic tapestry of the Guizhou region.
杜薇;侯凌风;杨先婵
贵州民族大学研究生院贵州民族大学社会学院,贵州 贵阳 550025贵州民族大学社会学院,贵州 贵阳 550025
社会科学
百苗图女性形象社会角色社会文化性别分工
The Hundred Miao Picturesfemale imagessocial rolessocial culturegender division of labor
《安顺学院学报》 2026 (2)
33-37,5
2023年国家社科基金重大招标项目"海内外藏中国西南民族图志收集、整理与研究暨数据库建设"(23&ZD204).
评论