首页|期刊导航|现代电影技术|东方幻境的构想与营造:电影《刺杀小说家2》的美术设计与创作实践

东方幻境的构想与营造:电影《刺杀小说家2》的美术设计与创作实践OA

Conception and construction of an eastern fantasy world:Art design and cre-ative practice of A Writer's Odyssey 2

中文摘要英文摘要

为推动国产奇幻电影突破合拍片时代的审美局限,满足电影工业化推进与观众审美升级的双重需求,本文以《刺杀小说家 2》美术创作为例,通过构建完整世界观,运用现代电影工业技术,采用"可信的写意"创作方法,探索东方美学与现代电影审美相融合的视觉体系.研究发现,该创作实践有效验证了依托现代电影工业技术呈现东方传统文化内涵的可行性,为国产奇幻题材电影突破创作瓶颈、构建东方奇幻视觉美学体系,提供了兼具理论参考与实操价值的样本.

This paper takes the production design of A Writer's Odyssey 2 as a case study to explore how Chinese fantasy genre film can transcend the aesthetic limitations inherited from the co-production era and respond to the dual demands of film industrialization and evolving esthetic view from audience.Through the construction of a comprehensive story world,the application of modern filmmaking technologies,and the adoption of a creative approach described as"credible XIEYI",the film develops a visual system that integrates eastern aesthetics with contemporary cinematic sensibilities.The findings suggest that this practice demonstrates the feasibility of expressing the cultural depth of traditional eastern aesthetics through modern film production,offering both theoretical grounding and practical reference for Chinese fantasy filmmakers seeking to overcome creative bottlenecks and forge a distinctly eastern visual aesthetic.

李淼

北京白犀牛影视文化传播有限公司,北京 100123

社会科学

电影美术东方奇幻电影工业化《刺杀小说家2》

Film Production DesignEastern FantasyFilm IndustrializationA Writer's Odyssey 2

《现代电影技术》 2026 (4)

64-70,7

10.3969/j.issn.1673-3215.2026.04.009

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