妙在无言:《琵琶行》的三重空白与审美效应OACHSSCD

"Blank"is a shared aesthetic pursuit in both Eastern and Western art.Wolfgang Iser,a representative figure of reception aesthetics,explicitly proposed a"blank"theory,emphasizing the interactive process between the recipient and the text through"blanks".As a form of"silent"aesthetic consciousness,"blanks"are widely employed in classical Chinese poetry.Bai Juyi's The Song of the Pipa fully utilizes this artistic technique,providing readers with ample space for imagination and re-creation.This paper takes The Song of the Pipa as the object of analysis,employing the artistic concept of"blanks"from reception aesthetics to interpret the poem text from three aspects:the"flying white"of the environment,the"void white"of the music,and the"reserved white"of the characters,thereby highlighting the triple realms and artistic value of the"beauty of blank"in The Song of the Pipa.