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吕凤子抗战时期人物画研究OA

A study on Lyu Fengzi's figure painting during the Period of the War of Resistance against Japanese Aggression

中文摘要英文摘要

抗战时期是吕凤子人物画的鼎盛阶段,其人物画因题材、内涵、笔墨、造型上的激变形成了"融古铄今""高古奇崛"的风貌样式,并在理论层面探索出"中学为体、以意造型、以形写神、常变变则"的革新理念.他独树一帜的绘画风貌和绘画思想对 20 世纪上半叶中国画的发展产生了重大影响.

The Period of the War of Resistance against Japanese Aggression marked the peak stage of Lyu Fengzi's figure painting creation.Due to the dramatic changes in subject matter,connotation,brushwork and form,Lyu Fengzi's figure painting formed a style of"blending the ancient and the modern"and"highly ancient and unique".At the theoretical level,he explored the innovative philosophy of"Chinese learning as the essence,shaping forms with intention,depicting spirit with form,and constantly changing rules".His unique painting style and painting philosophy had a significant impact on the development of Chinese painting in the first half of the 20th century.

房容;金啸峰

镇江高等专科学校 艺术设计学院,江苏 镇江 212028镇江高等专科学校 艺术设计学院,江苏 镇江 212028

社会科学

抗战吕凤子人物画

the War of Resistance against Japanese AggressionLyu Fengzifigure painting

《镇江高专学报》 2026 (2)

6-11,6

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