首页|期刊导航|湖北文理学院学报|《浣纱记》标目形式变化及成因探析

《浣纱记》标目形式变化及成因探析OACHSSCD

Form Changes of Headings in The Story of Washing Gauze(Huansha Ji)and Its Reasons

中文摘要英文摘要

《浣纱记》作为第一部用改革后的昆腔写作并演出的传奇作品,版本众多.全本戏标目的变化主要体现在形式上标目从无到有以及字数从四字到二字的转变.在纲目化思潮和戏曲重"剧"观念兴起的基础上,文人交流、演出点戏、阅读省检三方需求共同推动了标目的产生.二字标目是受文人典雅审美趣味的创新之举.相比全本戏,选本的六字标目出现在标目发展早期,是民间选本为尽可能多地收录内容而采用分栏版式的结果.选本的性质和受众决定了其标目更具通俗性和结构意识.选本中目录与正文标目不符的情况是书坊覆刻、改版伪造所致.

As the first legendary work written and performed during the reformed Kun dynasty,The Story of Washing Gauze(Huansha Ji)has numerous versions.Changes in the labeling of the entire play are mainly reflected in the shift from no labels to some labels,as well as in the reduction of the number of characters from four to two.Based on the trend of outlines and the rise of the concept of"drama"in opera,the demand for literati exchanges,performances,and readings promoted the creation of the bibliography.The two-word labeling was an innovative move influenced by the literati's elegant aesthetic taste.Compared to the entire play,the six-word bibliography of the anthology emerged in the early stages of bibliography development.This was the result of the column layout of folk anthologies,which aimed to include as much content as possible.The nature and audience of the anthology determined that its bibliography would be more popular and structurally conscious.The inconsistency between the catalog and the main body of selected books resulted from bookshops'over-engraving and reprinting of forgeries.

胡杨婕

中南财经政法大学 新闻与文化传播学院,湖北 武汉 430073

社会科学

《浣纱记》戏曲标目戏曲选本

The Story of Washing Gauze(Huansha Ji)headings of operasselected operas

《湖北文理学院学报》 2026 (3)

46-51,6

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