摘锦与重构:清代子弟书对《三国演义》的再生产OACHSSCD

Zidi Shu(a type of story-telling performance)in the Qing Dynasty exhibits distinct cross-genre adaptation characteristics in the adaptation of Romance of the Three Kingdoms.At the macro level,through the selection mode of theme,the creators cut the grand narrative structure of the original works into dramatic segments suitable for performance in the story-telling venue.At the micro level,through the shift of narrative perspective and the highlighting of ethical dilemmas,they expanded the depth and breadth of emotional expression.In terms of formal regulation,they used the rhythms of verse and the patterns of story-telling to shape the narrative rhythm,guiding the emotional flow and value judgments of the audience.The theme reproduction of Romance of the Three Kingdoms in Zidi Shu of the Qing Dynasty reflects the unique strategies and creative wisdom of Qing Dynasty's story-telling literature in dealing with classic texts,providing a window to observe the dynamic relationship between text and audience,tradition and innovation,literature and performance.