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"书为心画"理念对赵孟(頫)行书风格定位的影响及启示OA

The Influence and Implications of the Concept"Calligraphy is the Expression of the Mind"on Zhao Mengfu's Cursive Script Style

中文摘要英文摘要

扬雄提出"书为心画"的书法理论命题,历经发展,形成以"心性"为核心、融合技法与人格的理论体系,对赵孟(頫)行书风格产生重要影响.文本以扬雄"书为心画"的理论为核心,从赵孟(頫)艺术实践的角度,分析了其"心手双畅,物我两忘"的"写心"境界,以及"以书入画,写意传神"的"心画"贯通.研究指出,赵孟(頫)行书风格深深根植于心性表达与技法体系的融合,其艺术实践成功实现了"书为心画"理念从理论向创作的转化.该研究为当代书法创作、当代书法教育及当代书法艺术理念创新提供了宝贵的启示.

Yang Xiong proposed the calligraphy theoretical proposition of"calligraphy is the expression of the mind".Over time,this proposition has evolved into a theoretical system centered on"mind and nature"and integra-ting techniques and personality,exerting a significant influence on the style of Zhao Mengfu's cursive script.This paper,centered on Yang Xiong's theory of"calligraphy is the expression of the mind",analyzes Zhao Mengfu's ar-tistic practice from the perspective of his"mind and hand flowing smoothly,forgetting self and others"state of"writing from the heart",as well as the integration of"writing into painting,expressing the spirit and capturing the essence"in his"mind painting".The study points out that Zhao Mengfu's cursive script style is deeply rooted in the integration of mind and nature expression and technique system,and his artistic practice successfully realized the transformation of the concept of"calligraphy is the expression of the mind"from theory to creation.This study pro-vides valuable insights for contemporary calligraphy creation,contemporary calligraphy education,and the innovation of contemporary calligraphy art concepts.

刘振范

西安工业大学中国书法学院,陕西 西安,710000

社会科学

书为心画赵孟(頫)行书风格

calligraphy is the expression of the mindZhao Mengfucursive script style

《宿州学院学报》 2026 (2)

66-69,77,5

西安工业大学教学改革项目(25JGY39).

10.3969/j.issn.1673-2006.2026.02.013

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