东汉时期图像政治与大一统视觉文化建构OACHSSCD
Image Politics and the Construction of a Unified Visual Culture in the Eastern Han Dynasty
东汉时期,图像与政治深度融合,形成"图像—政治"二元一体结构.这一时期,图像不仅是民众喜爱的一种表达方式,还往往因其本身的伦理道德和认知属性,被赋予强烈的政治意图.统治者通过图像艺术构建统一的政治秩序,强化政治认同,使图像艺术成为维护统治秩序、治理天下的工具性手段.东汉图像艺术在天下一统的秩序下,见证了多民族交往交流交融图景,展现出开放、包容、自信的文化精神.
During the Eastern Han Dynasty,images and politics were deeply intertwined,forming a binary integrated structure of"image-politics."In this period,images served not merely as a popular means of expression among the populace but were also endowed with strong political intentions due to their inherent ethical,moral,and cognitive attributes.Through visual arts,a unified political order was constructed and political identity was reinforced,transforming image art into an instrumental means of maintaining ruling order and governing the realm(tianxia).Under the order of Great Unity,the visual arts of the Eastern Han Dynasty witnessed the interaction,exchange,and integration among multiple ethnic groups,demonstrating an open,inclusive,and confident cultural spirit.
岳岭;林坤
宁波职业技术大学 马克思主义学院,浙江 宁波 315800南阳师范学院 图书馆,河南 南阳 473061
社会科学
东汉图像政治大一统秩序视觉建构
Eastern Han Dynastyimage politicsGreat Unityvisual construction
《南都学坛》 2026 (3)
1-7,7
国家社会科学基金一般项目"出土汉代儒释道题材画像中传统社会思想的当代阐释"(23BZJ039).
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