《惊蛰无声》:谍战类型片的反类型尝试OACHSSCD

As China's first film focusing on contemporary national security,Scare Out follows common conventions of the spy film while attempting to break through them,showing anti-genre characteristics.In terms of plot structure,the film adheres to the formulaic norms based on the"bomb theory",and also achieves a breakthrough of existing"formulas"through the polyphonic arrangement of three storylines.The characterization in the film features relatively obvious stereotypical traits,but the setting of"dual male leads"and the exploration of the characters'complex personalities promote the expression of individuality.In terms of visual imagery,the film still employs the common iconic coding methods of spy films,but the incorpora-tion of a large number of the latest technological elements and contemporary urban landscapes dilutes this iconic quality,constructing a strong sense of modernity.These anti-genre attempts have both gains and losses,precisely reflecting the exploration and compromises made by genre films in the process of innova-tion:seeking to meet audiences'expectations while creating freshness;following genre conventions while achieving breakthroughs;pursuing commercial benefits while conveying mainstream values.