数字时代的心与物OACHSSCD

The Chinese expression of foreign digital aesthetic theories is an easily overlooked yet worth exploring area in digital aesthetic research.Taking digital technology as the starting point and Chinese culture as the background,foreign Chinese scholars of Chinese descent have developed original theories of digital aesthetics that focus on the mind and object in the digital era.First,focusing on the literary aesthetics and identity construction in the digital era,they put forward innovative digital aesthetics theories such as the digitally informed novel,the narratology for dynamic digital narratives,and digital tools for voice studies.Secondly,the theory of"sense of things"provides theoretical impetus for the biomimetic turn of digital aesthetics.It highlights the emotional communication and interaction between artists and digital media.Finally,theories of digital aesthetics such as historicized perception,psychology of film art,heterogeneity of film technological landscape,and two-track juxtaposition technology are proposed in the field of film.Emphasis is placed on the two-way interaction between objects and people under the combined effect of mind-object relationship theory and object-oriented theory.The concept of Chinese poetics is integrated into the aesthetic thinking in the digital era and form the proposition of digital transformation of mind-object aesthetics.