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20世纪20年代以来中国缂丝工艺研究的知识图景OA

An intellectual mapping of Chinese kesi craftsmanship research since the 1920s

中文摘要英文摘要

中国缂丝工艺正致力于探索其现代性转化与可持续发展路径.文章通过分析该领域的知识生产过程发现,其研究群体主要由文博机构人员与高校学者构成,而研究路径的演变则根植于缂丝的内在特质:从基于"贵如黄金"物质属性的文物考证,扩展至基于"以梭代笔"工艺内核的活态研究.在此过程中,研究内容呈现出双重向度,一方面聚焦缂丝工艺本体的图像信息整理、艺术原理分析及产品保护开发;另一方面从文化维度探讨历史起源、意义的生成机制及当代的发展策略.然而,静态的本体分析与动态的文化考察尚未形成紧密关联.针对这一问题,文章立足于当代价值视域,提出建立主体细分与客体适配的对应转化机制,并结合数字图文互证下的价值阐释与供给消费端中的心理分析,以促进创新发展与历史文脉延续的协调统一.通过上述过程、内容与进路的分析,最终勾勒出 20 世纪20 年代以来中国缂丝工艺研究的知识图景.

In recent years,the successive inclusion of kesi Chinese silk tapestry)in various levels of intangible cultural heritage lists has fully affirmed its unique value in human civilization.However,with the accelerating pace of modernization,the survival and development space for this traditional craft has been significantly constrained.Against this backdrop,Chinese kesi craftsmanship is actively exploring feasible paths for modern transformation and sustainable development. Clarifying the academic lineage of kesi research in China is essential for advancing the field.Employing a mixed-methods approach,this study conducts an in-depth qualitative analysis based on a systematic literature review and bibliometric assessment.The analysis of knowledge production in this field reveals that the research community primarily comprises museum professionals and university scholars.The evolution of research approaches is rooted in the intrinsic characteristics of kesi,shifting from artifact authentication based on its"as precious as gold"material value to living heritage research centered on its"using the shuttle as a brush"craft essence.Consequently,research content manifests a dual focus:one dimension concentrates on the craft's ontology,including image documentation,artistic principle analysis and product conservation and development;the other investigates its cultural dimensions,such as historical origins meaning-making mechanisms,and contemporary development strategies.However,a significant disconnect persists between static ontological analysis and dynamic cultural investigation. To address this gap,this study proposes three recommendations from a contemporary value perspective.First,by categorizing creative agents,a subject-object collaborative value transformation mechanism should be established to precisely meet the practical needs of different stakeholders.Second,digital image-text corroboration should be employed to integrate high-resolution artifact images from global museum collections with historical texts,so as to facilitate a spatiotemporal analysis of kesi's cultural DNA and provide historical-contextual support for innovative practices.Third,a psychological analysis perspective should be introduced to examine the specific needs of various groups within both supply and demand sides,so as to offer practical theoretical guidance for kesi's contemporary innovation. This paper employs"knowledge production"as its analytical framework,proceeding from three dimensions:historical context,internal structure,and research prospects.Among these,the exploration of research prospects from the perspective of value philosophy aims precisely to address the contradictions and problems revealed through the analysis of the internal structure.Thus,the study develops a progressive approach—moving from retrospecting history,to analyzing the current situation,and then to envisioning the future based on the issues identified in the present—thereby achieving a comprehensive and in-depth understanding of this academic field.

陈颖;梁惠娥

江南大学设计学院 江苏 无锡 214122||江南大学江苏省非物质文化遗产研究基地,江苏 无锡 214122江南大学设计学院 江苏 无锡 214122||江南大学江苏省非物质文化遗产研究基地,江苏 无锡 214122||无锡学院 传媒与艺术学院,江苏 无锡 214122

轻工纺织

缂丝高质量发展物质文化遗产非物质文化遗产当代价值

kesihigh-quality developmenttangible cultural heritageintangible cultural heritagecontemporary value

《丝绸》 2026 (4)

1-8,8

江苏省研究生科研与实践创新计划项目(KYCX24 2501)

10.3969/j.issn.1001-7003.2026.04.001

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