禅宗美学视域下宋韵极简设计与浙江文创设计的融合创新研究OA

Existing design practice within Zhejiang's"Song Rhyme Cultural Inheritance Project"has largely stayed at the level of formal transplantation-reproducing vessel shapes and decorative motifs-while the Chan philosophical core that underlies Song-dynasty aesthetics remains largely untouched.This study approaches the subject through the lens of"Chan-Song Rhyme integration".Grounded in the"Ti-Yong(Substance and Function)as One Source"philosophy,it recasts Chan Buddhist thought as an"anti-lyrical",introspective aesthetic orientation,and from this establishes a design development path running from cultural decoding through to contextual application.The"Xuerong Tianqing"tea set is taken as the empirical case.Through parametric tools,the study translates historical artifact genes into dynamic crackle patterns.The problem of heat transfer during handling is addressed at the stage of formal decision-making,and the object's cultural narrative is simultaneously extended into digital asset formats.The paper further sets out concrete implementation plans for a Song Rhyme brand certification mechanism,an end-to-end AIGC integration workflow,and an industry-university-research collaboration model.The study shows that the design methods and strategies proposed here establish a workable connection between traditional cultural resources and contemporary functional requirements,offering a methodological reference for the digital reconstruction and industrial development of Song Rhyme Minimalist Design.