《得闲谨制》:家园情结与抗战精神的平民化书写OACHSSCD
Gezhi Town:An alternative writing on homeland complex and the spirit of the War of Resistance
影片《得闲谨制》坚持彻底的"平民化"叙事范式,镜头以莫得闲这一非军人身份的工匠为对象,将"保家卫国"的宏大命题锚定于"家园情结"的情感伦理与"工匠精神"的实践哲学之中,显现出一种"日常生活的抗战诗学",这无疑打开了抗战题材电影的叙事方式和抗战精神演绎的新通道.影片书写了主人公莫得闲"钳工-军械修理工-电力工程师"的身份变奏与"失家-安家-保家"的行动逻辑,生动揭示了战争胜利的源泉蕴含在千万个体向上的坚韧与中华民族共同体意识的生成之中.影片以平凡的战争人物形象、广阔的叙事空间与虚化且封闭的战场环境,实现了对抗战历史书写的"祛魅",引导观众从历史的俯瞰者转变为历史的体验者.平民化的叙事视角则把抗战精神从抽象的民族话语具象化为与每一个体实践息息相关的精神资源.莫得闲于"匠人式"的生活哲学中积累起必胜信念;于数次重建家园中展现出英雄气概;于平凡的伦理情境之中演绎民族气节;于职业操守和职业技能中践行爱国情怀.对莫得闲形象的刻画也是对抗战历史记忆的创造性转化,为当代青年在学习和工作中将抗战精神内化于心、外化于行,提供了真切可感的启示.影片为新主流电影在思想深度、历史质感与艺术表达之间达成有机统一提供了具有重要启发性与实践价值的范本,也为抗战精神在当代的创造性转化开辟了基于日常生活诗学的叙事新路径.
Gezhi Town adheres to a thoroughly"grassroots"narrative paradigm,focusing on Mo Dexian,a civilian craftsman rather than a soldier.It anchors the grand theme of"defending the homeland"within the emotional ethics of"homeland complex"and the practical philosophy of"craftsmanship",revealing a"poetics of resistance in everyday life".This undoubtedly opens new avenues for both narrative approaches in war-themed films and the interpretation of the spirit of the War of Resistance Against Japanese Aggression.The film traces the protagonist Mo Dexian's identity transformation from"machinist-military equipment repairer-electrical engineer"and his action logic of"losing home-settling down-protecting home",vividly illustrating that the source of victory in war lies in the resilience of countless individuals and the formation of a sense of community within the Chinese nation.Through ordinary wartime characters,expansive narrative spaces,and a vague yet enclosed battlefield environment,the film demystifies the historical portrayal of the war,shifting the audience from detached observers to immersive participants.The popular narrative perspective concretizes the spirit of the War of Resistance,transforming abstract national discourse into a spiritual resource closely tied to individual practice.Mo Dexian accumulates unwavering confidence through his"craftsman-like"philosophy of life,demonstrates heroism in repeatedly rebuilding his home,embodies national integrity within ordinary ethical contexts,and practices patriotism through professional ethics and skills.The portrayal of Mo Dexian also represents a creative transformation of historical memory of the war,offering tangible inspiration for contemporary youth to internalize and enact the spirit of the War of Resistance in their studies and work.The film provides an exemplary model for new mainstream cinema in achieving organic unity among ideological depth,historical texture,and artistic expression,while also pioneering a narrative path based on the poetics of everyday life for the creative contemporary adaptation of the spirit of the War of Resistance.
王建超;户振亚
贵州师范大学 马克思主义学院,贵州 贵阳 550001菏泽学院 马克思主义学院,山东 菏泽 274000
社会科学
新主流电影家园情结抗战精神平民化书写
new mainstream cinemahomeland complexspirit of the War of Resistancepopular writing
《重庆邮电大学学报(社会科学版)》 2026 (2)
141-148,8
重庆市社会科学规划项目:生成式人工智能对意识形态话语权的影响及应对研究(2024NDQN012)重庆市教委人文社科重点研究基地项目:习近平新时代中国特色社会主义思想世界观和方法论的整体性研究(23SKJD067)
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