艺术乡建场域中多元主体的角色实践与互动研究OACHSSCD
Research on the Role Practice and Interaction of Multiple Subjects in the Field of Artistic Rural Construction
以布迪厄场域理论为框架,通过对重庆市D村艺术乡建项目的田野调查,剖析艺术乡建场域中艺术家、村干部与村民三类主体的角色实践与互动.研究发现,三类主体因资本、惯习与利益诉求的差异,在缺乏有效整合机制的情况下,形成了一种权力失衡的非对称合作关系.这导致艺术乡建"在地化"目标难以真正实现,实践易流于形式.研究表明,艺术乡建场域实为科层治理逻辑、艺术自律逻辑与乡村生活逻辑博弈的临时空间,村民主体性被边缘化是结构性后果.为此,从构建利益协调与良性互动机制、推动惯习调适、加强制度保障等方面提出促进多元主体协同共治的路径.
Using Bourdieu's field theory as a framework and based on field research of an artistic rural construction project in Village D,Chongqing,this study analyzes the role practice and interaction of three key subjects in the field:artists,village cadres,and villagers.The research finds that due to differences in capital,habitus,and interest demands,and in the absence of effective integration mechanisms,the three subjects form a kind of asymmetrical collaborative relationship characterized by power imbalance.This hinders the realization of"localization"goals in artistic rural construction,often reducing practices to mere formalities.The study reveals that the field of artistic rural construction functions as a temporary space where bureaucratic governance logic,artistic autonomy logic,and rural livelihood logic interact.The marginalization of villagers'subjectivity is a structural consequence.Accordingly,this paper proposes pathways to promote collaborative governance among multiple subjects,including constructing interest coordination and positive interaction mechanisms,facilitating habitus adaptation,and strengthening institutional safeguards.
周永康;丁雅文
西南大学 国家治理学院,重庆 400715浙江大学 公共管理学院,杭州 310058
社会科学
艺术乡建场域角色互动多元主体乡村振兴
artistic rural constructionfieldroleinteractionmultiple subjectsrural revitalization
《重庆工商大学学报(社会科学版)》 2026 (2)
135-144,10
国家社科基金项目(21BSH006)"新发展阶段传统村落文化补偿的理论逻辑与实践路径研究"
评论