论宋代风俗画中市井休闲意趣OACHSSCD
On the Leisure Aesthetics of Urban Life in Genre Paintings of the Song Dynasty
宋代开放多元的社会文化氛围为市民阶层提供了日常生活和公共空间中多样化的休闲实践,随着休闲娱乐场所、休闲消费市场的不断完善,宋代休闲文化成为中国休闲文化发展的高峰.其呈现出"狂欢化""产业化"特征,整体上完成了从精英化、贵族化向民间化、世俗化和大众化的转型.与此同时,作为记录宋代社会生活包括休闲生活的重要视觉载体的风俗画获得了显著发展,其题材扩展到城市市井平民生活的各个方面;其不仅是研究社会阶层互动的重要史料,更是考察士人文化与市井文化在城市空间中交融的关键媒介.风俗画所呈现的休闲意趣,表征了宋人对日常生活美学的追求、宋代休闲文化的世俗化转向及其蕴含的人文价值.
The open and pluralistic sociocultural environment of the Song Dynasty provided urban citizens with diverse leisure practices within their daily lives and public spaces.The continuous improvement of leisure venues and leisure consumption markets elevated Song-era leisure culture to an unprecedented height in Chinese history.This leisure culture exhibited characteristics of"carnivalization"and"commercialization",marking a comprehensive transformation from elitist and aristocratic to popular,secular,and mass-oriented forms.Concurrently,genre paintings—key visual records of Song Dynasty social life,including leisure activities—experienced significant development,expanding their subjects to encompass various aspects of urban and commoner life.These paintings serve not only as crucial historical sources for examining social interactions across classes but also as vital media for investigating the interplay between literati and popular urban cultures.The leisure aesthetics depicted in these genre paintings reflect the Song people's pursuit of everyday life aesthetics,signify the secularization of Song leisure culture,and embody underlying humanistic values.
刘垣杏
浙江大学 哲学学院,浙江 杭州 310058
社会科学
宋代风俗画休闲文化市井休闲休闲意趣
Song Dynastygenre paintingleisure cultureurban leisureleisure aesthetics
《湖南工业大学学报(社会科学版)》 2026 (2)
22-28,7
浙江省文化工程重大项目"中华和合文化通论"(26WH06ZD)国家社科基金项目"《周易》自然美学思想研究"(23BZX044)
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