"天子之怒"OACHSSCD

"Wrath of the Son of Heaven":

中文摘要英文摘要

司马迁在《史记》中书写"天子之怒"时蕴含着以下一些基本原则:其一,喜怒哀惧等情感是人的自然属性,"天子之怒"亦然;其二,天子的愤怒情绪要符合"礼"、要"安其位",即要有度与边界;其三,情绪与人物的性格、命运和地位相连,司马迁在书写项羽、吕后时充分体现了这一点.概括而言,"安其位"是司马迁书写"天子之怒"的最重要原则,基于此,《史记》"天子之怒"的书写呈现出圣君无怒,暴君怒无边,避讳当朝汉室君王的特征.

In his depiction of the"wrath of the Son of Heaven"in the Historical Records,Sima Qian adhered to several core principles.First,emotions such as joy,anger,sorrow,and fear are innate to human nature-and"the wrath of the Son of Heaven"is no exception.Second,the emperor's anger must align with"ritual propriety"and"remain within its proper bounds"—that is,it must be measured and limited.Third,emotions are closely tied to a character's personality,fate,and social standing,a connection vividly illustrated in Sima Qian's portrayals of Xiang Yu and Empress Lü.In summary,"adhering to one's rightful place"serves as the foremost principle governing Sima Qian's portrayal of imperial wrath.Consequently,his accounts of the"wrath of the Son of Heaven"exhibit distinct patterns:sagely rulers show no anger,tyrants exhibit boundless rage,and the wrath of the reigning Han emperors is treated with deliberate discretion.

蒋贤斌;赖骁腾

江西师范大学马克思主义学院,南昌 330022江西师范大学马克思主义学院,南昌 330022

社会科学

情感史司马迁"天子之怒"

the history of emotionsSima Qian"wrath of the Son of Heaven"

《渭南师范学院学报》 2026 (3)

29-36,8

江西省社会科学"十四五"基金重点项目:早期中国共产党人阶级情感研究(21DJ01)

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