蓝色诗学:拜伦的海洋书写OACHSSCD
Blue Poetics:Byron's Marine Writing
拜伦的海洋书写蕴含三种视角:潜入大海,水中写海,展现与大海的亲密关系及对大海的征服;航行大海,船上写海,反复呈现"离别—漂泊—回家(死亡)"的个人体验与普遍情思;想象的太空视角.海洋呈现出静态与动态两种形态:静态海洋常与美好的感情相关联,以及反衬不平静,预示危险,象征时间的停滞与腐朽;动态海洋最契合拜伦的反叛气质与孤傲精神,可视为他的生命标识与精神象征,同时深化并拓展了其作品的速度与空间.海洋修辞范式主要有三种:拟人,拜伦时常赋予海洋以人的情感、动作以及身体器官,既生动刻画海洋特征,又巧妙地展现人之情感;比喻,海洋频频被用来描述人(多为女性)的心理、情感、外貌状态以及指示某种自然现象和社会现象;类比,海洋多作喻体,揭示主体特征、表情达意与议论说理.三种修辞范式形成特定表达方式,反映了拜伦卓越的修辞追求与浓郁的泛神论思想.拜伦的海洋诗学丰富了世界海洋文学的艺术宝库.
Byron's marine writing encompasses three perspectives:immersing in the sea,depicting it underwater to showcase the intimacy and conquest;navigating the sea,writing from a ship to repeatedly present the personal and uni-versal theme of"departure-wandering-homecoming(death)";an imagined cosmic perspective.The sea manifests in two forms:static state,often associated with romantic love,contrasting turmoil,foreshadowing danger,and symbolizing the stagnation and decay of time;and dynamics,which aligns with Byron's rebellious spirit and solitary pride,serving as his life's emblem and spiritual symbol while expanding the speed and space in his works.The rhetorical paradigms of sea include personification,where Byron endows the sea with human emotions,actions,and bodily organs,vividly por-traying its characteristics while subtly revealing human emotions;metaphor,where the sea frequently describes people's(especially women's)psychological states,emotions,appearances,and indicates natural and social phenomena;analogy,where the sea serves as a vehicle of metaphor to reveal subject traits,express emotions,and discuss and reason.These three rhetorical paradigms form specific expressions,reflecting Byron's exceptional rhetorical pursuit and profound panthe-istic thought.His marine poetics enriches the artistic treasury of global marine literature.
孙晓博
洛阳师范学院 新闻与传播学院,河南 洛阳 471934
社会科学
拜伦海洋诗学海洋视角海洋形态修辞范式
Byronmarine poeticsmarine perspectivemarine formrhetorical paradigm
《海南热带海洋学院学报》 2026 (1)
79-89,11
河南省本科高校青年骨干教师项目(2023GGJS129)河南省高校人文社会科学研究项目(2023-ZZJH-302)
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