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数字科技视域下苗族蜡染非遗影像的适应性传播研究OA

Research of the adaptive communication of Miao batik intangible cultural heritage images in the context of digital technology

中文摘要英文摘要

"蜡染"古称"蜡缬",源于贵州省丹寨县、安顺市、织金县等地区,是我国古代三大印花技艺之一,其制作技艺和图案纹饰蕴含丰富的历史文化信息.然而,在现代数字科技快速发展的背景下,苗族蜡染这一古老艺术形式正面临传播困境.探讨数字科技在苗族蜡染非物质文化遗产影像中的应用和创新,分析当前蜡染影像的保护、传播与展示现状,并从数字影像、虚拟展示、互动体验等多个方面,提出具体的适应性传播路径,以期为相关非遗影像在数字时代的可持续发展提供理论支持和实践参考.

Historically known as laxie,"batik"originated in regions such as Danzhai County,Anshun City,and Zhijin County in Guizhou Province.As a traditional craft passed down through generations of ethnic minorities,it is also one of the three major ancient Chinese dyeing and printing techniques.Its craftsmanship and decorative patterns contain a wealth of historical and cultural information.However,amid the rapid development of modern digital technology,Miao batik,as an ancient artistic form,faces new challenges in communication and dissemination.The application and innovation of digital technologies in the visual documentation of Miao batik as an item of intangible cultural heritage(ICH)are examined,the current status of preservation,communication,and exhibition of batik imagery are analyzed,and specific adaptive communication pathways from perspectives such as digital imaging,virtual presentation,and interactive experience are proposed,aiming to provide theoretical support and practical references for the sustainable development of relevant ICH imagery in the digital era.

李绅铭;张沐辰

北京工商大学,北京 102488北京工商大学,北京 102488

轻工纺织

数字科技非物质文化遗产影像苗族蜡染

digital technologyintangible cultural heritagevisual documentationMiao Batik

《染整技术》 2026 (1)

176-178,3

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