首页|期刊导航|染整技术|西安碑林博物馆"关中八景图"视觉元素在纺织品中的创新应用研究

西安碑林博物馆"关中八景图"视觉元素在纺织品中的创新应用研究OA

Research on the innovative application of visual elements from the"Eight Scenic Spots of Guanzhong"in the Xi'an Beilin Museum in textiles

中文摘要英文摘要

西安碑林博物馆所藏的"关中八景图"是清代关中地区自然与人文景观的典型视觉呈现,具有鲜明的地域文化特色和艺术价值.目前对其视觉元素的现代设计转化研究仍较为匮乏,将传统图像融入纺织品应用中的设计语境尚需进一步探索.基于图像学与符号学方法,解构华岳仙掌、太白积雪、骊山晚照三幅典型关中地区自然景观作品的视觉符号系统,提取山水、建筑等核心元素.通过简化、重组等设计方法,实现传统图像语言的当代再生,并将设计元素融入现代纺织品制造工艺.

The"Eight Scenic Spots of Guanzhong"collected by the Xi'an Beilin Museum is a typical visual presentation of the natural and cultural landscapes of the Guanzhong region in the Qing Dynasty,with distinct regional cultural characteristics and artistic value.At present,there is still a lack of research on the modern design transformation of its visual elements,and further exploration is needed to integrate traditional images into the design context of textile applications.The visual symbol system of three typical natural landscape works in the Guanzhong region,namely Huayue Xianzhang,Taibai Jixue,and Lishan Wanzhao is deconstructed based on the methods of image and semiotics,and core elements such as mountains,waters,and architecture are extracted.The aim is to achieve contemporary regeneration of traditional visual language and integrate design elements into modern textiles by simplifying,restructuring and other design methods.

薛思涛;王教庆

西安工程大学,陕西 西安 710048西安工程大学,陕西 西安 710048

轻工纺织

关中八景图西安碑林博物馆视觉元素现代设计转化设计创新

"Eight Scenic Spots of Guanzhong"Xi'an Beilin Museumvisual elementsmodern design transformationdesign innovation

《染整技术》 2026 (1)

123-125,3

评论