首页|期刊导航|中北大学学报(社会科学版)|千禧年、废墟与Z世代的断裂感知:中式梦核的审美寓言

千禧年、废墟与Z世代的断裂感知:中式梦核的审美寓言OACHSSCD

Millennium,Ruin,and Generation Z's Disjunctive Sensibility:Aesthetic Allegory of Chinese Dreamcore

中文摘要英文摘要

中式梦核是随千禧年复古文化潮流兴起的怀旧审美风格,是层次丰富的记忆文本.中式梦核构建事件性的穿越失败叙事,暗示过去与现在平行的时间观,并借助梦核风格"阈限空间"内涵,对千禧年记忆进行本雅明式"废墟"的比喻,最终以怀旧的自我审视,创造出意义重构的转折时代本雅明式寓言.在审美意蕴上,中式梦核将Z世代的旧日情结,定格为回溯过去时幻想破灭的瞬间,在对更为温情的千禧年社会秩序的重新发现中,呈现其认识论上的转折姿态.

Chinese dreamcore is a nostalgic aesthetic style that emerged on social media,driven by the millennial retro wave of the late 2010s and early 2020s,functioning as a layered text of memory.It con-structs a narrative of failed time travel,suggesting a perception of time in which the past and present exist in parallel.Building on the dreamcore aesthetic and its established use of liminal space,millennial memories are metaphorically reframed through Benjamin's concept of the"ruin".Ultimately,dreamcore becomes an Benjaminian allegory of a transitional era,formed through a nostalgic self-reflection and the reconstruction of meaning.Aesthetically,it captures the moment when Generation Z's fantasy of returning to the past col-lapses—expressing a retrospective stance that carries their desire to rediscover a more compassionate social order and reveals a fundamental epistemological shift.

夏雨忻;黄晓华

湖北大学 文学院,湖北 武汉 430062湖北大学 文学院,湖北 武汉 430062

社会科学

梦核本雅明废墟寓言阈限空间Z世代

dreamcoreBenjaminianruinallegoryliminal spacesgeneration Z

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