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《唐探1900》:系列电影的类型融合与家国叙事OACHSSCD

Detective Chinatown 1900:Genre Convergence and Family Narrative in the Film Series

中文摘要英文摘要

电影《唐探1900》在类型融合和家国叙事的双重维度上进行了创新性的探索与表达.从类型范式的视角来看,影片保持了《唐人街探案》系列电影的"喜剧+悬疑"的有机融合,通过悬疑推理的情节发展与喜剧元素的穿插,构建了独特的侦探类型化叙事.从历史阐释的视角来看,电影突破了前面三部仅限于空间跨越的表层叙事,转而深入时间维度进行记忆打捞,于历史的细微之处借助电影罪案解谜的叙事形式,对北美铁路华人劳工的真实历史进行了影像再现与重构,使观众在民族认同上产生情感共鸣.

The movie Detective Chinatown 1900 carries out innovative exploration and expression in the dual dimensions of genre convergence and family narrative.From the perspective of genre paradigm,the movie maintains the organic fusion of"comedy plus suspense"of the Detective Chinatown series of movies.Through the plot development of suspense and deduction and the continuous interspersing of comedy ele-ments,a unique detective genre narrative is constructed.From the perspective of historical interpretation,the movie breaks through the previous three films which are limited to the surface narrative of space span-ning,and turns to salvage memories in the dimension of time,and in the subtleties of history,with the help of the narrative form of movie crime solving,the movie reproduces and reconstructs the real history of the Chinese laborers on the North American railways in the image,which makes the audience resonate with their emotions on national identity.

黄筱玥;张昕一

厦门理工学院 影视与传播学院,福建 厦门 361024北京师范大学 艺术与传媒学院,北京 100875

社会科学

系列电影类型融合家国叙事《唐探1900》

film seriesgenre convergencefamily narrativesDetective Chinatown 1990

《中北大学学报(社会科学版)》 2026 (1)

102-107,6

国家社会科学基金"十四五"规划2022年度教育学一般课题:国家文化安全观视域下中小学影视教育的模式创新与实践研究(BLA220236)2021教育部哲学社会科学研究后期资助重大项目:建党百年中国共产党价值观与中国电影发展路径研究(21JHQ005)

10.62756/xbsk.1673-1646.2026016

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