首页|期刊导航|鞋类工艺与设计|以发绣图案中的观音像为例——设计图案形式美的时代变迁

以发绣图案中的观音像为例——设计图案形式美的时代变迁OA

The Evolution of Formal Beauty in Design Patterns Over Time:A Case Study of Guanyin Statues in Hair Embroidery Patterns

中文摘要英文摘要

本研究以发绣观音像为例,探讨其图案形式美的时代变迁.观音像作为传统文化象征,其发绣表现既反映宗教底蕴,也体现不同时期审美与艺术风格演变,分析了从古代到现代观音像在构图、色彩、线条等设计上的变化.古代以庄重典雅为主,凸显神圣慈悲,使用传统绣法色彩;近现代融入现代元素,更显多样个性,且保留传统内涵、结合当代审美形成新风格.本文旨在揭示不同时期设计图案形式美变化规律,探讨传统与现代、艺术与实用的关系,为发绣传承创新提供理论支持.

This study takes Guanyin statues in hair embroidery as an example to explore the evolution of formal beauty in design patterns over time.As a symbol of traditional culture,the representation of Guanyin in hair embroidery not only reflects religious connotations but also embodies the evolution of aesthetic and artistic styles in different periods.The study analyzes changes in the design of Guanyin statues from ancient times to the present,including composition,color,and lines:in ancient times,the focus was on solemnity and elegance to highlight sacredness and compassion,using traditional embroidery techniques and colors;in modern and contemporary times,modern elements have been integrated,showing more diversity and individuality.While retaining traditional connotations,it combines contemporary aesthetics to form a new style.This paper aims to reveal the laws governing the changes in the formal beauty of design patterns in different periods,explore the relationship between tradition and modernity,art and practicality,and provide theoretical support for the inheritance and innovation of hair embroidery.

薛思玉;王文广;薛思环;许兴驰

盐城工学院,江苏 盐城 224000盐城工学院,江苏 盐城 224000盐城工学院,江苏 盐城 224000盐城工学院,江苏 盐城 224000

社会科学

发绣观音像图案设计非遗文化形式美

hair embroideryguanyin statuepattern designintangible cultural heritageformal beauty

《鞋类工艺与设计》 2026 (3)

51-53,3

10.3969/j.issn.2096-3793.2026-03-017

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