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磁州窑"化妆土"工艺及装饰艺术研究OA

Research on the White Glaze Technique and Decorative Arts of Cizhou Kiln

中文摘要英文摘要

磁州窑作为北方极具影响力的民窑体系,其独特的"化妆土"工艺是区别于其他窑系的核心特征之一.笔者以磁州窑"化妆土"工艺为研究核心,首先厘清窑口与窑系的概念边界,明确磁州窑系的辐射范围与形成逻辑;其次深入阐释化妆土的工艺内涵、技术特性及功能价值,剖析其在胎体与釉层间的作用肌理,最后系统梳理基于化妆土基础衍生的五种主要装饰手法,探讨磁州密装饰艺术的审美特质与民窑文化属性.研究表明,化妆土不仅是解决磁州窑胎质缺陷的技术手段,更是其装饰艺术得以多元发展的物质基础,共同铸就了磁州窑在我国陶瓷史上的重要地位.

As a highly influential folk kiln system in northern China,the unique"huazhuangtu"(glaze layer)technique of the Mizhou kiln is one of the core distinguishing features that set it apart from other kiln systems.This study focuses on the"huazhuangtu"technique of the Mizhou kiln,first clarifying the conceptual boundaries between individual kilns and kiln systems,and defining the radiating scope and formation logic of the Mizhou kiln system.Second,it delves into the technical connotations,characteristics,and functional value of the glaze layer,analyzing its role in the interaction between the taiti(body)and youceng(glaze layer).Finally,it systematically reviews five primary decorative techniques derived from the glaze layer,exploring the aesthetic qualities and folk kiln cultural attributes of Mizhou's intricate decoration art.The re-search demonstrates that the glaze layer is not only a technical solution to address the defects of Mizhou kiln body material but also the material foundation for the diversified development of its decorative art,collectively shaping the Mizhou kiln's significant position in the history of Chinese ceramics.

杨杰

景德镇珠山区杰座陶瓷工作室 江西 景德镇 333000

化学化工

磁州窑化妆土装饰手法民窑艺术陶瓷工艺

Cizhou KilnSlipDecorative TechniquesFolk Kiln ArtCeramic Craftsmanship

《陶瓷》 2026 (1)

44-46,3

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