论马伯庸小说媒介叙事的多维特征OA

MA Boyong's new historicist writing has formed a literary style characterized by media convergence,embodying a novel mode of historical writing amid the process of cross-media storytelling.The research is not only a theoretical exploration of narrative analysis of MA Boyong's novels but also a verification process of discursive critical practice in narrative theory.Taking The Ming Dynasty Under the Microscope,The Litchi Road,and The Envoy's Journey of Southern Cuisine as research objects,it explores the expression mechanisms and discursive logic of mediated narrative writing in the novels.In combination with narratology and cross-media narrative theory methodologies,the study discusses the expressive mechanisms of mediated writing from dimensions such as media narrative,structure,and time-space of mediated narrative.It presents the experiential content of"macro-micro"historical landscapes and aesthetic fields manifested in media narratives,while exploring the aesthetic logic and sociological implications of media narrative genres.Hence,this study primarily investigates the literary archaeology and the generative path of narrative logic in MA Boyong's novels,and further elaborates on the writing logic of historical truth and artistic fiction revealed in his works during media criticism.This offers a cross-media narrative methodology and critical insights for contemporary historical writing and research.