历史言说·情爱叙事·苦难书写OA
Historical discourse·love narrative·suffering writing:Comments on Yu Hua's novel Wencheng
余华在长篇小说《文城》中以历史言说、情爱叙事、苦难书写为载体,不仅借小说再现了清末民初军阀混战与匪患频生的乱世图像,也深刻映射出个体在历史洪流中的生存境遇与精神历程.小说借助民俗与战乱图景书写还原历史氛围,却因历史意识的模糊,存在叙事姿态的暧昧与缺位;情爱叙事方面采用三角恋爱模式构建情节以增强传奇性,却因情节逻辑的裂隙削弱了叙事的自洽性;苦难书写虽从多个维度展开,却未能实现创作上的自我突破,反而表现出叙事范式的固化与自我重复.通过对《文城》的细读与辨析,在肯定其叙事探索价值的同时,亦批判性审视其艺术局限,旨在推动对该小说的深层阐释,并为同类文学叙事实践提供参照.
In his novel Wencheng,Yu Hua employs historical discourse,romantic narrative,and suffering as vehicles.He not only recreates the turbulent era of warlord conflicts and rampant banditry but also profoundly reflects the existential conditions and spiritual journeys of individuals in the tide of history.The novel restores the historical atmosphere through the depiction of folk customs and war-torn landscapes.However,it exhibits a narrative stance that is ambivalent and absent due to the ambiguity of historical consciousness.The romantic narrative adopts a love triangle structure to enhance its legendary quality,but the logical gaps in the plot undermine the narrative's coherence.While the suffering narrative unfolds across multiple dimensions,it fails to achieve a creative breakthrough.Instead,it demonstrates a fixation and self-repetition of narrative paradigms.Through a close reading and analysis of Wencheng,this critique acknowledges its narrative exploratory value while critically examining its artistic limitations.The aim is to advance a deeper interpretation of the novel and provide a reference for similar literary narrative practices.
孙修让
河北大学 文学院,河北 保定 071002
社会科学
余华《文城》历史言说情爱叙事苦难书写
Yu HuaWenchenghistorical discourselove narrativesuffering writing
《镇江高专学报》 2026 (1)
18-24,7
河北大学文学院学生创新资助项目(24WXYM032)保定市哲学社会科学规划课题(2025140)
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