算法何以赋能文学批评的现代生产OA
How Algorithms Empower the Modern Production of Literary Criticism:With a Note on the Posthuman Trend of Literary Criticism
从技术演进维度审视文学的算法批评,算法文学批评的本质是作为技术媒介的算法对标文学批评的实践,算法批评改变了人类批评的唯一向度,并引发可能的批评文化嬗变.算法参与文学批评形成了区别于人类文学批评的实践特点,一是批评方法采用基于机器定量的主观性评价,二是人工智能的生成式文学批评,将文学评价的主体彻底改变为"用户"模式,三是现阶段文学算法批评仍受限于算法黑箱、算法幻觉的技术水平.
The article examines algorithmic criticism of literature from the dimension of technological evolution.The essence of algorithmic literary criticism is the practice of algorithms as a technological medium against standard literary criticism,and algorithmic criticism changes the only direction of human criticism and triggers a possible transmutation of critical culture.Algorithmic participation in literary criticism has formed a practice characteristic that distinguishes it from human literary criticism.Firstly,the method of criticism adopts subjective evaluation based on machine quantification;secondly,the generative literary criticism of artificial intelligence completely changes the subject of literary evaluation into the mode of"user";thirdly,the current stage of literary algorithmic criticism is still limited by the technical level of the algorithmic black box and algorithmic illusions.
王婉婉;邹艳媛
广东技术师范大学文学与传媒学院,广东 广州 510665广东技术师范大学文学与传媒学院,广东 广州 510665
信息技术与安全科学
算法文学批评批评主体批评实践
algorithmliterary criticismcritic subjectcritic practice
《重庆文理学院学报(社会科学版)》 2026 (1)
98-107,10
教育部人文社会科学研究规划基金项目"算法传播与数字时代文学批评的范式转型研究"(23YJA751019).
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