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公共艺术赋能延安红色文化景观展示的策略研究OA

Study on the Strategies for the Display of Yan'an Red Cultural Landscape Empowered by Public Art:A Case of the Urban Central Area of Yan'an

中文摘要英文摘要

延安作为中国革命圣地,拥有数量庞大且格局完整的红色文化景观,但传统展示模式存在同质化严重等问题.文章立足"人民性"视角,将公共艺术视为红色文化景观展示的重要媒介,提炼出"以城市文脉重构场域、以叙事性群雕激活革命历史记忆、以象征与符号设计强化精神表达"的展示策略.以延安城市中心区三组红色主题城市雕塑为案例,论证公共艺术如何赋能红色文化景观从单一的纪念性空间转化为"革命记忆+当代关怀"的人民性场域.研究表明,公共艺术不仅能够在城市更新与文化传承过程中搭建历史记忆与当代生活之间的桥梁,还能够突破传统博物馆的展示局限,形成"室外红色博物馆",为革命老区红色文化景观展示提供借鉴.

As a revolutionary holy land of China,Yan'an has vast and well-structured red cultural landscapes,yet their traditional display models suffer from severe homogenization.From the perspective of"people-orientation",this paper takes public art as a crucial medium for displaying red cultural landscapes,and proposes the display strategies of"reconstructing spaces through urban cultural context,activating revolutionary historical memory through narrative group sculptures,and strengthening spiritual expression through symbolic and symbolic design".Taking three groups of red-themed urban sculptures in the central area of Yan'an as a case for study,it demonstrates how public art can empower red cultural landscapes to transform from a single commemorative space into a people-oriented field of"revolutionary memory+contemporary concern".The research shows that public art not only bridges historical memory and contemporary life during urban renewal and cultural inheritance,but also transcends the limitations of traditional museum exhibitions,forming"outdoor red museums"and providing references for displaying red cultural landscapes in old revolutionary areas.

蔺宝钢;刘涛

西安建筑科技大学艺术学院西安建筑科技大学建筑学院

建筑与水利

公共艺术红色文化景观延安精神人民性展示策略

public artred cultural landscapeYan'an spiritpeople-orientationdisplay strategies

《城市建筑》 2026 (1)

2-6,12,6

10.19892/j.cnki.csjz.2026.01.01

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