文学人类学视域下辽河文化女神崇拜的生态与文本探索OA
An Ecological and Textual Exploration of Goddess Worship in the Liaohe Culture from the Perspective of Literary Anthropology
辽河文化的研究属于中华文明地域文化的一部分,也属于人类文明的一部分.山川大河孕生文明,滋养不同的文化,国内学界从考古、历史、神话、文学艺术等多方面界定和延展辽河文化的内涵.红山文化的发现也为辽河文化提供了考古的佐证.神话从史前时代产生,经过口传,形诸于文字,最终到今天主要以文字记录的形态存在,狭义上被归之于文学范畴.辽河文化早期的红山文化具有鲜明的女神崇拜特征.女神崇拜具有生态性,同当时当地人们的生产生活密切相关;神话思维产生的神话叙事经历了史前到现代的演变,在民间文学、民俗等领域得到了发展.满族《天宫大战》神话体现了这样的生态特征,是典型的女神崇拜的文本,具有辽河文化的生态气息.
The study of Liaohe Culture is an integral part of both Chinese regional culture and human civilization.Domestic academia has defined and expanded the connotation of Liaohe Culture from multiple aspects,such as archaeology,history,mythology,literature and art.The discovery of Hongshan culture has also provided archaeological evidence for Liaohe Culture.Myths,originating in the prehistoric era,were initially transmitted orally,later recorded in written form,and now primarily exist as written records,falling within the realm of literature in a narrow sense.The early Hongshan culture of Liaohe Culture had distinct characteristics of goddess worship.This worship was closely related to the local people's production at that time and had an ecological aspect.Mythological narratives,resulting from mythological thinking,has undergone an evolution from prehistoric times to modern times and has developed in the fields of folk literature and folk customs.The Manchu myth"Battle in the Heavenly Palace"reflects such ecological feature and is a typical text of goddess worship,carrying the ecological essence of Liaohe Culture.
金立江
沈阳师范大学文学院,辽宁沈阳 110034
社会科学
文学人类学辽河文化女神崇拜生态
literary anthropologyLiaohe Culturegoddess worshipecology
《沈阳农业大学学报(社会科学版)》 2025 (1)
29-37,9
国家社会科学基金一般项目(19BZW172)
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