舞剧《铜雀伎》作为中国当代舞蹈发展史中最具代表性的剧作之一,一方面体现了 20世纪80年代以来中国舞剧向内求索的民族艺术精神;另一方面为中国舞剧的戏剧建构与叙事实践做出了积极的贡献.文章运用叙事理论挖掘舞蹈艺术中的戏剧叙事形式,从文本叙事、叙事组织及人物叙事三个方面,对舞台表现的戏剧性要素与结构性要素进行分析,理清"戏"之于"舞"的前置性规约与重要作用.同时,在《铜雀伎》中探知历史文化中的传统戏剧美学基因,以期探索民族舞剧的叙事表意机制的构建,让舞剧艺术更好地讲述中国故事、传承民族文化精神.
As one of the most representative plays in the development history of Chinese contemporary dance,the dance dra-ma"Tong Que Ji"on the one hand reflects the national artistic spirit of the Chinese dance drama since the 1980s;on the other hand,it has made a positive contribution to the drama construction and narrative practice of Chinese dance drama.By using narrative theory to explore the dramatic narrative form in dance art,an analysis was made on the dramatic and struc-tural elements of stage performance from three aspects:text narration,narrative organization and character narration,to clarify the role of"play"in"dance"and the role of an important benchmark.At the same time,an exploration was made on the aesthetic gene of traditional drama in history and culture in"Tong que ji",hoping to explore the self-organized narrative mechanism of national dance drama,to tell the Chinese story for the future dance drama art,to inherit the national culture spirit.
王海涛;孙琳
重庆大学艺术学院,重庆沙坪坝 401331重庆师范大学音乐学院,重庆沙坪坝 400047
语言文学
舞剧《铜雀伎》;舞剧叙事;戏剧结构;隐性进程;人物塑造
dance drama"Tong Que Ji";dance narrative;dramatic structure;recessive process;characterization
《重庆文理学院学报（社会科学版）》 2024 (004)
96-104 / 9
国家社会科学基金艺术学西部项目"国家文化形象建构下当代中国舞蹈的创造性诠释研究"(23EE220).
10.19493/j.cnki.issn1673-8004.2024.04.008
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